The Music Center's Ahmanson Theatre

The Music Center's Ahmanson Theatre

Opened in 1967, The Music Center’s Ahmanson Theatre (Ahmanson) features a state-of-the-art configuration with variable seating capacity that can accommodate a diverse selection of performances. The theatre was underwritten by philanthropist Howard F. Ahmanson Sr., the founder of H.F. Ahmanson & Co., a Los Angeles-based insurance and savings and loan company, and named for his second wife, Caroline Leonetti Ahmanson. The Ahmanson is home to a wide-ranging selection of theatrical and dance performances and is the site for Center Theatre Group presentations, including Pre-Broadway runs as well as the best of Broadway and the West End.   

Originally faced on all four sides with off-white stone, the façade was altered in 1995 by Ellerbe Becket, the successor firm to Welton Becket & Associates, which designed the original Music Center campus. The theatre is joined with The Music Center’s Mark Taper Forum (Taper) by a 47-foot high colonnade that surrounds both structures and creates a visual balance with The Music Center’s Dorothy Chandler Pavilion (Pavilion) across Jerry Moss Plaza. The main façade has a glass skin that extends the full 73 feet of the five-level structure, giving patrons the opportunity to view the Taper’s massive mural.  

The 2,109-seat theater was designed for musical comedy and theatrical productions, ranging from the intimate to the spectacular. To create a warm, welcoming feeling for patrons, the Ahmanson’s auditorium is wider than it is deep. There are three levels of seating: Orchestra (988 seats), Mezzanine (606 seats including the boxes) and Balcony (515 seats including the boxes). Like the Pavilion, the first 13 rows of the Ahmanson are arranged in continental style with no front-to-rear aisles. Audience members reach the Mezzanine and Balcony from large promenades that overlook Jerry Moss Plaza.   

Renovations in the early 1990s enhanced the theatre’s acoustics, improved sightlines and allowed for more flexible seating arrangements. In fact, the Ahmanson can be quickly transformed from a 2,109-seat theatre to a 1,200-seat venue. Updates included changes to the circulation of the auditorium and the addition of six boxes on each of the side walls. At the same time, the architects lowered the ceiling and covered it with new acoustical paneling. They moved the Balcony and Mezzanine closer to the stage, expanded backstage areas and installed mobile dividers in the Balcony to decrease the number of seats for shows that require a more intimate setting. In addition, the Ahmanson now has a three-story lobby. Patrons can view the sculpture, “Acrobat Freeway,” created by local artist Peter Shire, as they enter the building. 

The Ahmanson’s original décor featured rich reds and pewter gray tones. Purples and golds were later introduced as part of the Ellerbe Becket renovations. The proscenium was widened in 2010, and its appearance and functionality enhanced with metal mesh curtains and a removable/storable proscenium header.